Heavy users of portrait mode will appreciate the convincingly simulated shallow depth of field in portraits, helped by the SL sensor. Shooting stills, the iPhone does well with the basics, with accurate exposure, nice colors, and lots of detail across all lighting conditions.
However, that SL sensor is an ace up its sleeve, and Apple has clearly done a lot to extract as much performance from the camera as possible, with largely satisfying results.
There’s a lot of hardware innovation happening in front cameras, and with its fixed-focus lens and small sensor, the iPhone’s camera module does not look particularly cutting-edge on paper. The iPhone 12 Pro’s front camera holds its own, though it’s not quite in the same league as the best we’ve tested. Samsung Galaxy S20 Ultra, outdoor video Conclusion The Samsung reference device remains above the fray as soon as the lights drop from bright 1000 lux levels. From there the slope of degradation flattens a bit, so that at 10 lux the iPhone 12 Pro is comparable to the Huawei (itself an admirable video performer), and by a near-dark 1 lux actually betters it. The chart below tells the story of the detail levels in the iPhone’s 4K front camera videos, which start at an excellent 90% acutance in bright light but have dropped precipitously by 100 lux (normal indoor conditions). Detail levels are high in bright light, though they fall a bit when things get dim.
#Bokeh in iphone skin#
Skin tones are nicely rendered and white balance is generally correct. Dynamic range is indeed quite wide, nicely preserving highlights and shadows even in scenes with high brightness, though testers noted some instability in tone mapping. The iPhone 12 Pro’s front video performance is generally strong. Samsung Galaxy S20 Ultra, HDR video scene
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